At Bax Music, we’re well aware of just how many devoted music lovers there are out there. We’re also equally aware of just how much all of you lovely music lovers enjoy sharing their thoughts on the subject. As such, we want to open up our very own Bax Music Blog to any music-focused bloggers who want to share the love, and give them access to a wide audience, under their very own name!

Guest-blogger Marc de Jonge is here to talk about relic’ing: the artificial aging of guitars and basses to give them a weathered, played-in look and feel. There are various ways to go about relic’ing an instrument, and Marc has several tips for everyone who’s thinking about giving it a try. It’s definitely something that takes guts, an eye for detail, and a little artistry.

No matter how good you are at mixing and mastering, the quality of the original recording will always largely determine the final result. Guest-blogger Freek Roffel from Freaky Studio is here to share five tips that can help you get the recording stage right, where preparation is key.

For up-and-coming musicians, a music video is a great way to promote a new single. But how do you do it when your budget is limited? There are actually examples of great music videos that were shot using an iPhone or digital camera out there, but to pull it off, you need to know the basics of filming. Music video director Zeno Groenewegen is here to explain how you can achieve pro-grade results in twelve steps.

In the world of wind instruments, an ensemble can take many different forms, but if you’re not an insider, you’re unlikely to know the difference between a harmonic ensemble, a fanfare ensemble and a brass band. All of them are different types of ensembles, but what exactly is the difference?

The drum machine had its real break-through back in the eighties but never really lost momentum. New models are frequently released while older models are regularly reissued and priced more generously than the original hardware. Curious about how legendary bits of kit like the TR-808 and the LM-1 came to exist? Read on!

Ever played a gig where the band that performed before you overextended their set, leaving you just a few minutes to set up your drum kit? It’s a nightmare for most drummers, if not an impossible challenge. Thankfully, there are various ways to optimise your kit and prepare it for a speedy set-up when you’re in a hurry.

The sound tech is arguably the most underappreciated person involved in a music production. For musicians, however, it’s incredibly important to keep these tireless hired-hands close, since they play a significant role when it comes to the room and stage sound. It’s not for nothing that sound techs are often referred to as the extra band member. Nowadays, there are plenty of courses you can enrol in and study to become a sound engineer, but what does it actually take to get good at the job? Time to ask a sound tech!

In 2021, the moment finally came when Anni-Frid (1945), Björn (1945), Benny (1946) and Agnetha (1950) treated the world to a completely new album. Who’d have thought it? The band had long since broken up and even the promise of a billion dollar paycheck for a tour wasn’t tempting enough to bring them back together. However, this blog isn’t going to dig through the ABBA legend (you’ll be able to find plenty of ABBA history lessons documented in countless books and YouTube clips). Instead, we’re going to look at the musicality of this special band and the technical details that made it all possible. What are the necessary elements of the ABBA sound? Where do you start if you want to write a song like ABBA and how do you capture that distinct ABBA style?

Ever considered penning your own original music for a musical? Then you’ve probably already noticed what a challenge it really is. In this blog, we take a look at how show tunes are put together and what separates a musical number from your average pop song or film score. Fix yourself a drink, sit back, relax, and allow the Bax Music theatre to take all you ambitious composers and curious musical-lovers on a tour of how musical music happens.

Whether you’ve just started playing or you’ve been at it for years, every musician faces the same challenge at some point: you want to learn the rhythm or the groove of a track but it’s not working out. Maybe you’re confronted by a new technique that you’ve never tried out before and it seems impossible to learn. Are there any tricks that drummers can have up their sleeves to avoid the frustration? To be fair, there’s only one trick: broaden your horizons by taking on every genre going, and never fear any strange and new playing techniques.

Most bands can’t afford to hire their own light technician and are forced to trust in-house light techs, which means that your light show may vary from gig to gig and more often than not doesn’t look like what you asked for. The cause? Communication, or rather miscommunication. Guest-blogger and stage manager Thomas Oberson-Ricoat is here to share five welcome pieces of advice.

In this article, guest-blogger Wietse Hendriks shows you how to write and compose your own drum parts. Covering topics like where to find inspiration and how to deal with band leaders, conductors and composers, Wietse taps into his twelve-and-a-half years of experience as a drummer.