Studio & Recording
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One of the most challenging stages of making your own music video is the edit. This is the moment you take the footage you’ve worked so hard on and start shaping it into an impressive music video. It’s a tough job, but the end result can be stunning — and a real calling card for your band. You can make the process easier by following the step-by-step plan in this article!
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Forget the image of the traditional songwriter, who builds a song from scratch and – with or without a co-writer – delivers the full package of vocal line, accompaniment and lyrics. In the vast majority of industrial music productions today, especially in pop, hip hop, EDM and commercials, an important role is reserved for ‘topliners’. Guest blogger Peter van Vleuten from the Songwriterschool explains what topliners do and what they need to be able to do.
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The music you hear on television sounds so good because it’s been carefully recorded and mixed. While you enjoy the beautiful sound, a lot of work is happening behind the scenes to translate that audio as well as possible to different sound systems. Who makes sure a concert sounds its best on your system at home? One of the people responsible is the broadcast audio engineer. In this blog, we take a look behind the scenes with an experienced audio engineer, as he guides us through his fascinating work.
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We all know the struggle: no inspiration! Or maybe even worse: plenty of inspiration, but no idea how to turn it into a solid result. Since version 12, Ableton Live has included a brilliant set of tools to help with exactly that. In Ableton Live they’re called MIDI Generative tools and MIDI Transformation tools.
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Do you ever do studio recordings? Then you’ll know: once tracking is done, the real work begins. Painstaking work, to be precise. At Lewitt, they’ve found a way to make that heavy lifting a whole lot lighter. And no, not with a plugin. Discover the magic of the Lewitt RAY.
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You play live shows or mix music in a studio. And your big wish is for your speakers to sound deeper: more bass! So now you reckon it’s time for a subwoofer (or two). Not a bad idea. Only… how do you connect one? We’ll explain.
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If you ask (home) studio owners what their most important tools are, there’s often one element missing from their list: the studio room itself — and its acoustics in particular. That’s a shame, because acoustics can be the difference between a production that sounds professional and one that doesn’t.
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The secret to making an impressive music video that delivers the impact you want always lies in a good script. While you definitely want to take up all the creative space while writing your script, it’s best not to go too crazy, because an overcomplicated and overambitious script can result in an overblown budget. So how do you write a script that won’t break the bank but still brings the vibe?
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The term ‘DJ/producer’ is an increasingly common sight within the DJ world. In fact, it’s become such a standard that even some beginner-DJs have been tempted to add ‘producer’ to their list of skills. It’s getting to the point where people might naturally start confusing one for the other. Are they the same thing? In this blog we explain why these two skills are very different and where they might overlap.
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Studio hardware and software has been getting increasingly affordable to the point where you don’t have to save up all that much money before you can take your first steps as a producer. Having the right equipment is one thing — having the skills and knowledge is another. So what’s your plan? Are you going for the trial-and-error approach? YouTube tutorials? Or a proper production course? Each path has its own pros and cons. Guest-blogger and songwriter Ben Govers is here to help you decide whether producer school is worth it.
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Guest blogger and songwriter Jemy Gijsman takes us through the next step on your journey to success: recording a demo. Once the song is written, the lyrics are finalised and you’ve got the chords down on paper, you want to go further, so you need to get out there and start hustling. Since you don’t have your own studio and only have minimal knowledge about the production and mixing process, you need to do some research and find a studio that doesn’t cost an arm and a leg and can help you record your demo. Once you’ve found the right studio, what do you need to prepare? And how can you find the right musicians to help you get the job done?
Comments Off on The Songwriter’s Guide to Recording a Demo in the Studio | in: Guest Blogs, Miscellaneous, Songwriting & Composing, Studio & Recording -
If you mix it just right, you can turn a solid song into a bona-fide banger. The problem is that mixing isn’t easy, so if you’re struggling to make your tracks sound more professional, then you’re probably not using the pro-level technique known as mid/side processing. Thankfully, guest-blogger and producer Rutger Steenbergen is here to spill the beans.