Guestblogger Niels Winter compares his experience of recording in a fully decked out professional studio and at home. Both options come with their advantages and disadvantages, but one thing is certain: recording your own songs – especially if you’re working on a complete album – is a big job that takes a big investment.

Know the deal? I’d be surprised if you didn’t: another rejection letter in your inbox in response to your latest gig-fishing email. It seems that the majority of the bands that are sending out their bio and demo to venues receive a ‘no’ – if they receive a reply at all.

While working with analogue gear is great and rewarding, it can also be complicated and costly — but it doesn’t have to be! The 500 series format, also known as the Lunchbox system, is known for keeping things simple, affordable and overseeable for smaller studios that are looking to build a serious collection of synth and FX hardware.

Ever wonder how some producers churn out a track a day while it takes you months to finish just one? Guest-blogger Melvin Rijlaarsdam shares his top ten tips for speeding up your music production workflow without compromising the quality of your tracks.

Guest-blogger Hens Zimmerman returns to show you how you can draft up tracks with Ableton Note before turning them into fully-fledged songs in Ableton Live.

The imaginative power of a podcast is a great way to take your audience on a journey in their own head. Step by step, you evoke mental images through storytelling, but what’s the best way to tell that story? Guest-blogger and radio DJ Sander de Heer is here to explain the nitty-gritty.

When it comes to figuring out who to ask to be on your podcast, the answer is simple if you ask guest-blogger and radio DJ Sander de Heer: anyone who’s got a story to tell and can tell it well. Of course, that story does have to be relevant to the subject of your podcast. You’re the one who’s in charge of the format, prepares the interview or conversation, and takes your listeners by the hand.

Guestblogger Rob Brummans (AKA Mindru) shares five simple tips to help live-streaming DJs to make things more interesting for themselves and their viewers and listeners. He also gives us a look inside the kitchen where he preps his live streams.

Record a little rhythm guitar, vocals and a few piano chords, then back everything up with a drum beat and some other instruments on your computer – that’s all you want to do. While you don’t have to be a producer or recording engineer to do any of it, it can take a little time to figure out exactly what you need to make a bit of music on your computer.

An epic guitar riff, a majestic drum solo or a piano recital worthy of a virtuoso… To really know how to play a musical instrument inside and out, you’ll need at least a few years. Luckily, there are also instruments that have a really flat learning curve, meaning that pretty much anyone can pick one up and play.

In this new age of countless plectrum variations, Guestblogger and multi-instrumentalist Nigel Hubee talks about what got him thinking more deeply about his pick of plectrum and his happy surprise at finding out how cheaply he could experiment with using picks made of different materials, picks with different shapes, and picks with different thicknesses – and what a massive difference it made to the sound of his instrument. If you’re on your own pick-related journey of self-discovery then allow Nigel to help you take your tone to a level you didn’t know existed.

It sounds like the most anti-creative thing you could do: copying and pasting and analysing, rather than playing in a sandpit of sounds and seeing what happens. But the truth is that a more measured and ‘anti-creative’ approach can actually help you get unstuck. You know all too well that around three-quarters of those amazing sparks of inspiration you have end up in that little folder marked ‘Ideas’. Here, Guestblogger Hens Zimmerman reveals how using arrangement templates can really help free those locked up ideas and bring them kicking and screaming into the world.