If you’ve already decided that you want to start drumming, the next logical step is to get yourself a drum kit. Faced with what might be one of the most important decisions you’ll ever make, what do you go for? An acoustic drum kit or an electronic drum kit? electronic kits sound way better than they used to, but you can’t go wrong with an acoustic kit, right? In this blog, we’ll go over all of the pros and cons to help you get a better idea of what might work best for you.

Stereo recordings often have the kind of three-dimensionality you just can’t replicate using reverb or delay effects or the pan controls of your DAW software. Most stereo recordings are made using a pair of condenser microphones loaded with cardioid pickup patterns, though omni-directional and bidirectional microphones aren’t uncommon either. Usually, more high-end microphones can even toggle between all three patterns so you can pick one depending on the situation. If you want to know which microphone set-ups are best for recording in stereo, just read on!

Whether you’re getting a shop-fresh model or a more played-in hand-me-down, no bass guitar ever comes perfectly set up specifically for you. We’ve all got a unique style and preferences to match, and there’s nothing wrong with that. In this blog, guest-blogger and bassist Cor Vos presents a basic guide to setting up a bass guitar. It’s completely beginner-friendly too, meaning we’re not covering more in-depth tweaks like pickup swaps and nut-filing. Depending on your bass, all you’re going to need is a good ol’ hex-key and a phillips head screwdriver. Let’s get started!

Throwing in solid drum fills can be pretty difficult for beginners. Some go too fast while others over-complicate things – two habits that are hard to kick without the help of a drum teacher. In addition, not being able to time your fills right can be extremely frustrating, whether you’re rehearsing or just jamming, and not just for you, but for any musicians you’re playing with as well as anyone listening. So, in this blog, I’m going to teach you various simple drum fills and show you some very useful tips!

Say you’ve finished recording all of the instruments and vocals and you want to mix everything down. The individual tracks sound great, but once you start playing with the faders, it sounds like all parts of the recording are working against each other. The mix is all but up to snuff, and a phase issue is most likely to blame. In this blog, I’m going to explain what phase is, what it causes and how you can get rid of it, so you can prevent or fix any phase issues as they pop up while you’re working on your studio projects.

In this blog, we dive deeper into how harmony works by looking at the chords commonly used in jazz and pop: the ninths, elevenths, and thirteenths, and all of their variations. Each of these magic chords can be built by simply stacking more thirds onto a seventh.

These days, any musician or producer is offered the tools they need to make good audio mixes. Audio interfaces sound more impressive than ever, recording software has never been so extensive, and a solid set of studio monitors has never cost less. But there might be one last thing missing: a great sounding listening and mixing room. Here, I’ll let you in on a few little secrets when it comes to acoustic treatment and where and why you should place any absorption panels and diffusion panels to improve the acoustics and perfectly neutralise the sweet spot. I’ll also explain the part that calibration software can play in setting you up with the perfect listening room.

If you want your acoustic or electric guitar or bass to sound and feel as good as it possibly can, you can’t overlook the importance of proper maintenance. In this article, guest-blogger Dean explains how to nourish your instrument, how to keep the humidity in check and why the right room temperature is crucial.

Everyone who’s privileged enough to have access to broadband internet and a fairly fast computer can launch a podcast or even an internet radio station of their own for a relatively small amount of money these days. However, the microphone built into your laptop isn’t going to cut it, and the acoustics of your soon-to-be studio space could probably do with a little treatment too – so read on to find out how you can get pro-grade podcast audio quality on a budget!

If you’ve already made it this far, then you’re probably already the proud owner of your very own cajon. You’ve seen or heard a cajon afficionado spitting beats and thought, “I can do that!” But now that you’re sitting astride your brand new percussion box, it’s already looking a little more complication than you first thought. Not to worry! Everyone starts somewhere, and since you’re here, this is where you’re going to start! In this friendly little blog, we’ll guide you through three awesome cajon beats that you can use as a foundation to expand your cajon-based skills. No theoretical knoweldge or the ability to read music required!

A full choir can be seen as an enormous, singular audio source, that sometimes spreads out its sound over tens of metres, making for a pretty unique job when it comes to recording. How do you make sure that every choir member is captured while the choir sounds like a cohesive whole? In this blog, I’ll explain how just two or three cleverly positioned microphones can result in a balanced and clear stereo-recording.

While recording an acoustic guitar might sound like a straightforward job, getting a clear and natural-sounding recording can depend on a number of factors. The kind of microphone you use, the way the microphone is positioned, as well as the way the recording space reacts to the vibration of the strings, all play an important role in the final recording.