Musician

In our blog explaining how chords work, we already touched on the diminished, augmented, and seventh chords. Here, we dive a little deeper into the inner workings of these chords and their function, covering everything from a normal seventh chord (the dominant seventh), to minor sevenths and major sevenths, and the difference between a diminished and half-diminished chord. We’ll also explain terms like ‘diatonic’, ‘modal’, and ‘enharmonic’, setting you up with a bank of knowledge to help you get writing.

In our blog covering chord theory, we looked at how chords are built, and here, we’ll see what happens when you place one chord after another to build a chord progression and why some combinations work better than others. We’ll talk about intervals, how to build tension, what leading notes do, resolutions and sus-chords. There will be a bit of studying involved, but in the end, it’ll only speed up your writing process.

If you’ve already read our Drumhead Buyer’s Guide and you’re ready to learn more, this article is the logical next step since I’ll be covering drumheads and the various ways in which these help to shape the sound of a drum kit. While it all boils down to simply trying different things, the info in this blog is essential reading for creating your own signature drum sound.

If you want to dampen your drums, this can mean one of two things: 1) you want your drums to sound as quiet as possible so you can practise at home without incurring the wrath of the neighbours, or 2) you just want to reduce the natural sustain and resonance of your drum kit to get a more focussed sound. Of course, there’s plenty of gear you can buy to help solve either problem, but there are also plenty of much cheaper tricks you could try using nothing but stuff you can find lying around the house.

As satisfying as it is to watch your stompbox collection grow, the more crowded your board, the more you need to start thinking about the order of the effect chain, otherwise, there’s a big chance that your sound quality will start to suffer. In this blog, I’ll offer five tips to help you set up your effects pedals in the best possible order and make sure you’re getting nothing but the best possible sound.

Even if you’ve been drumming for a while, there’s a chance you’ve never thought about the way you hold your drumsticks. Since there are a few rules of thumb that can actually help you hone your skills, we’ve compiled a humble list of stick-based tips and tricks for you in this blog.

So, you play keyboard and you’d like to sing along. But is it even possible to plug a microphone directly into your keyboard? That depends entirely on your keyboard, but even if it does have a microphone input there are still a few things to bear in mind or look out for.

The way you play your instrument has got just as much to do with the overall sound as the wood that it’s made of and the strings that it has. There are a lot of fundamental things that new players often miss when trying to find a good sound and today, guest blogger Matthew Quilliam shows us five subtle but effective ways to improve your overall tone when playing your ukulele.

If you’re a drummer, then there’s at least one drum that you can never do without: the snare. While you might be familiar with the array of different percussive sounds you can get out of a snare, if you’re a beginner, you might not necessarily know how to access all of them. Even a small adjustment in your playing can make a snare drum sound completely different, and here, I’ll offer up some essential tips that will help you get to know your snare a little better.

The fretless bass is actually pretty rare in the bass world, since most bassists simply prefer fretted models. Listen to the bass of any current hits and you’re likely to be listening to a fretted bass. But there’s no doubt that the fretless bass packs unique character and there are plenty of devotees out there that refuse to play anything else. So, what’s the deal with the fretless bass – what are the good bits? And what are the not-so-good bits?

Granted, the ideal drum kit set-up is highly personal. But that doesn’t mean there aren’t a few guidelines that you need to follow. To help you find a comfortable, practical and most of all style-matching set-up, I’m going to show you a couple of different takes on the standard drum kit configuration!

Whether it’s a single-coil or a humbucker, practically all electric guitar pickups and bass pickups are equipped with a magnet that captures the vibrations of the strings. While magnets don’t boast any sonic properties of their own, the specific type of magnet inside any guitar or bass pickup certainly helps to shape the overall sound of the instrument. Since most pickups feature either an alnico or a ceramic magnet, I’m going to highlight the differences between both and tell you how the well-known Alnico V models compare to Alnico II variants.