Studio & Recording

A full choir can be seen as an enormous, singular audio source, that sometimes spreads out its sound over tens of metres, making for a pretty unique job when it comes to recording. How do you make sure that every choir member is captured while the choir sounds like a cohesive whole? In this blog, I’ll explain how just two or three cleverly positioned microphones can result in a balanced and clear stereo-recording.

While recording an acoustic guitar might sound like a straightforward job, getting a clear and natural-sounding recording can depend on a number of factors. The kind of microphone you use, the way the microphone is positioned, as well as the way the recording space reacts to the vibration of the strings, all play an important role in the final recording.

In theory, it’s definitely possible, but in practice it can be a little bit cumbersome. The advantage of using a USB microphone is that you have a great all-in-one setup without needing to use an audio interface. But if you want to use more than one USB mic, things get pretty complicated for your computer. Also, hooking two USB microphones up to a computer kind’ve defeats the purpose of using a USB microphone. But, can it actually be done?

Despite the fact that setting up and teaching classes online is easier than ever in today’s digital age, there are lots of tutors, coaches and private teachers who struggle with the audio quality of their live-streams – even when their internet connection is working just fine. Since comprehensible speech is essential for getting any kind of message across, the sound needs to be spot-on. In this blog, I’m going to explain how you can take the audio quality of your online classes to the next level and, no, you don’t necessarily need to invest in a new microphone!

There comes a time in every musician’s life when they are forced to confront a mixer for the first time. To the un-schooled user, these chunks of equipment can seem intimidating and complex, and while mixers range from the super-compact to the desk-sized gigantic, all of them are based on the same set of principles and will offer the same basic set of functions and connection options. In this blog, we offer a step-by-step explanation of the ins and outs of mixers.

Heads up if you’re an avid, ambitious user or producer working from a home studio. In this blog, we offer you a number of suggestions that can help you expand your current audio interface. If you’re thinking about upgrading, don’t sell it just yet!

Headphones are the ideal mixing tool. Any noisy neighbours are silenced, the acoustics of your studio space no longer matter, and you can hear all those little hidden details of the audio. So, if headphones are so great, why do professional studios still use monitor speakers? Is there something wrong with mixing using headphones? In this blog, we explain it all!

By making a few smart choices when it comes to tweaking the dynamics, any producer or sound technician can pull more impact out of their mix. Here, we offer 5 invaluable volume-boosting tips, and no – none of them involve turning the volume up.

We wouldn’t be surprised if it’s one of the most frequently googled questions: “What are the differences between the various Sennheiser HD 25 headphones?” Sennheiser cleaned up the series a while ago, so it’s about time we put together a clear overview of the differences and similarities between the older and newer versions of this iconic range of headphones.

Most people never even think about vocal microphone hygiene, which is okay as long as you’re the only one using the mike. If not, it’s important that you clean your vocal microphone after use to prevent one singer from passing their germs on to the next. In this humble blog, I’ll explain how you can easily clean a microphone yourself.

If your current set of studio monitors isn’t able to deliver the deepest bass frequencies or if you’ve been noticing that your productions sound a little too boomy in rooms other than your own studio, then it’s probably time that, rather than upgrade to a pair of bigger monitors, you expand your set-up with a dedicated studio subwoofer. Read on to find out whether a sub is a solid investment for you and how you can optimally set one up.

This might sound familiar: you’re at home trying to record audio using an audio interface, a microphone and some kind of recording software. The signal input meters of the software are barely moving so you turn up the gain, only to then sing one or two loud notes and be immediately confronted with the signal clipping as if possessed by the devil himself. If that does indeed sound familiar, you’ve no doubt asked yourself (and the internet apparently): how loud should I record audio?