General
Building on the innovative Blackmagic Design 6K Cinema Camera that came before it, the Blackmagic Design PYXIS 6K Cinema Box Camera presents a giant leap forward in digital film making. Just like the previous model, this box-style cinema camera comes with some breathtaking features, including a native Leica L lens mount and customisable side plates, which can be adapted to support any filming environment. The full-frame 6K sensor, meanwhile, measures 36 by 24mm and captures stunning images filled with rich colours and accurate skin tones, all backed up by an impressive thirteen-stop dynamic range so you're assured of the best results no matter the light conditions.
Full-Frame Sensor for Uncompromising Image Quality
Since the PYXIS comes fitted with such an enormous full-frame sensor, various film formats and aspect ratios are supported without any compromises on quality. Whether you're shooting in Open Gate 3:2 for improved framing options during post-production, or going for the true cinematic look of 6:5 anamorphic without cropping, this model can help realise the artistic vision. Multiple resolutions and frame rates are also fully supported, from standard HD to 6K video and 24.6 MP stills, giving film makers every tool in the box they need to create visual stories with clarity and precision.
The Low-Light Master
The PYXIS also excels when it comes to HDR imaging as well as ISO capabilities, with a wide dynamic range and minimal noise - even in the most challenging of light conditions. The dual-native ISO of up to 25,600 ensures that outstanding image quality can be achieved while retaining the full range of the sensor whether filming on well-lit sets or low-lit locations. The customisable design and mounted control elements further boost the flexibility of this model so that, whether you're recording in Blackmagic RAW for maximum control during the post-production phase, or you're streaming live via SRT and RTMP protocols, the progressive PYXIS 6K Cinema Box Camera performs with professional excellence.
