Lari Basilio and Josh Scott have developed the versatile JHS Violet distortion/overdrive. With 3-band EQ for tones from overdrive to modern distortion. An ideal for any pedalboard and your clean pedal platform amp.
The 3-Series rendition of the JHS Screamer packs the popular 'Strong Mod' up inside a self-contained stompbox. In short, this elastically versatile tube-screamer supplies two clipping modes and increased clean headroom. Made in the USA.
JHS Pedals' Morning Glory is their most popular overdrive pedal and one of the most transparent on the market. Simply put, the Morning Glory V4 will take the sound of any amplifier to the next level without changing its character.
Characterful analogue octaver with sub- and upper octave for guitar and bass enthusiasts, inspired by vintage classics.
Can't decide which distortion pedal you want? Don't fret but set yourself up with the JHS Pedals PackRat and put nine different flavours of distortion on your pedalboard in one smooth, mind-easing go.
The JHS Pedals 424 Gain Stage offers the versatility of the iconic Tascam Portastudio 424, but in a handy pedal format. Equipped with a handy balanced XLR output.
Sometimes, the whole is more than just the sum of parts. That's what Josh Scott from JHS Pedals must've thought before he started developing the JHS Summing Amp signal combiner pedal.
Compact JHS Andy Timmons AT Mini overdrive/distortion pedal with a British amp vibe, a fixed 100-watt voicing and controls for Volume, Drive, EQ and Air.
The JHS Pedals Muffuletta is a 6-way fuzz/distortion effects pedal loaded with five sounds inspired by classic Big Muffs built throughout the years - plus a special flavour cooked up by JHS themselves. If you're a Big Muff fan, this pedal is for you!
If you think dauntingly huge and seemingly endless reverb sounds good, check out the JHS Pedals 3 Series Hall Reverb. Fitted with a modulation mini-switch, this stompbox is a solid pick for guitarists that want to expand their pedalboard as well as their sound.
Send your guitar sound to two amplifiers at the same time without fear of any ground-loop-related hum and buzz and even flip between outputs to gain full control - all thanks to the tight JHS Active A/B/Y Signal Combiner Pedal.
The JHS Pedals Crayon fuzz pedal simulates the sound of a vintage, British preamp like no other and, via the fitted controls, the right amount of drive, tone, gain, fuzz and volume is dialled in with ease.
JHS Pedals' Red Remote is a footswitch that can be used to control the built-in toggle switch on several JHS pedals. The Red Remote doesn't need a power source and can be connected easily to pedals via a mono jack cable.
JHS Pedal's Charlie Brown V4 is an overdrive/ distortion effects pedal that gives you the sound and response of a legendary British tube amplifier head from the 1960s. It even has the same 3-band EQ with bass, mid and treble controls.
When you compare JHS Pedal's Andy Timmons signature overdrive effects pedal The AT+ to the previous model, you'll notice that it has an extra boost function that essentially gives you a second channel!
The JHS Cheese Ball is a re-creation of the tasty Lovetone Big Cheese. Next to the usual tone, volume and gain controls, this stompbox is home to a special Mode switch to access four different distortion and fuzz sounds. Say cheese!
Madison Cunningham's signature sound is typically enriched with a tasteful three-dimensional vibrato effect. So you can dial in the very same sound, Cunningham and JHL Pedals present her own Artificial Blonde Signature stompbox.
