Based on more than 21,240 customer reviews

Antelope Audio Goliath Thunderbolt/USB/MADI audio interface

no reviews yet

Discontinued, this product can no longer be ordered.

No alternatives found
Not sure if the Antelope Audio Goliath Thunderbolt/USB/MADI audio interface is for you? Do a Choice Check. Start Choice Checker
Antelope Audio Goliath Thunderbolt/USB/MADI audio interface
Product no: 9000-0026-0290 Bax Music Warranty: This product comes with a 3-year warranty.

General

The Goliath Thunderbolt/USB/MADI audio interface by Antelope Audio is the result of about twenty years of experience and know-how. It has some pretty impressive features right off the bat. For starters, it has a huge number of inputs and outputs, as well as Thunderbolt support for ultra-fast data transfer. What's more, it supports USB and MADI as well, the latter of which ensures the operation of no fewer than 64 channels in total. Above all, it features 16 top-notch microphone preamps that each offer an incredibly pure reproduction of your audio signal. The Goliath has 36 analogue inputs and 32 analogue outputs via the MADi interface. And to top it all off, it boasts an outstanding AD/DA conversion, driven by Antelope's legendary clocking technology.

What more could an audio engineer want?

Via Thunderbolt, 64 channels can be routed through to a large array of analogue and digital inputs such as MADI, AES, ADAT, and S/PDIF, as well as world-class instrument and microphone inputs. The Goliath also offers two ReAmp and two headphone outputs. The ReAmps are especially useful after you've recorded a guitar part using the internal amp simulator, for instance, and want to replace it with a tube amplifier later on. You simply route the signal through to the amp of your choice. The Goliath is flexible and offers everything you need! The monitor outputs on this interface are also high-class. It also features DB25 connections, which make surround sound mixing possible using the first 8 outputs.

Clocking and DSP engine

The clocking mechanism in the Goliath is impressive indeed, consisting of a fourth-generation AFC (Acoustically Focused Clocking) jitter management algorithm. You'll find this algorithm in all of Antelope's master clock products, which are known around the world as the most accurate on the market. Finally, the Goliath can sync perfectly to any other device thanks to the remarkably accurate Rubidium Atomic Clock, and you can connect the 10M for an even more precise synchronisation. Of course, the Goliath wouldn't be complete without a DSP engine and guitar effects. Want classical guitar tones or a tube amp sound? No problem with the amp simulators on board the Goliath. It's got all you need and is only 2U high. With the Goliath, Antelope Audio has officially raised the bar.

Tips or comments about this product
  • Please note: to use the plugins and Presonus Studio One Artist, you wil lneed to registger the Goliath online at Antelope Audio first.

Specifications

Product features

19 inches yes
Computer ports USB, Thunderbolt
Phantom power yes
Suitable for operating system Apple OSX / Mac OS, Microsoft Windows
Maximum sample rate 192 kHz
Included data cable USB cable
Included software none
Software included yes, download

Weight and dimensions including packaging

Weight (incl. packaging) 9,1 kg
Dimensions (incl. packaging) 64,0 x 34,0 x 14,0 cm

Product specifications

  • Antelope Audio audio interface
  • analogue inputs:
    • 16x line inputs via 2 D-SUB 25 connectors, +20 dBu, max. 11.2 kOhms
    • 16x mic/line inputs via XLR combos on rear
    • 4x instrument inputs (Hi-Z) via TRS jack
  • analogue inserts:
    • 2x inserts via TRS jack
  • digital connectors:
    • 2x fibreglass MADI (64 channels each)
    • 2x ADAT (max. 16 channels)
    • 3x AES/EBU via D-SUB 25 (16 channels)
    • 1x S/PDIF
  • word clock:
    • 1x input @ 75 ohms, 3 Vpp via BNC 32 - 192 kHz
  • atomic clock input:
    • 1x 10M input @ 75 ohms 1 Vpp via BNC
  • analogue outputs:
    • 16x line outputs via D-SUB 25, -20 dBu. 56 ohms
    • 8x monitor outputs via 1 D-SUB 25, +20 dBu, 56 ohms
    • 2x main monitor outputs, TRS jack
    • 2x headphone outputs, TRS jacks
    • 2x ReAmp outputs, TRS jacks
  • digital outputs:
    • 2x fibreglass MADI
    • 2x ADAT
    • 8x AES/EBU via D-SUB 25 (16 channels)
    • 1x S/PDIF
  • word clock outputs:
    • 2x outputs: @ 75 ohms, 3 Vpp via BNC 32 - 192 kHz
  • Thunderbolt:
    • 1 x Thunderbolt (64 channels)
  • D/A monitor converter:
    • main monitor dynamic converter range: 127 dB, THD + N: -108 dB
    • dynamic range: 118 dB; THD + N: -98 dB
  • D/A Converter:
    • dynamic range: 118 dB; THD + N: -98 dB
    • A/D converter:
  • dynamic range: 120 dB; THD + N: -110 dB
  • clocking-system:
    • clock system: 4th generation Acoustically Focused Clocking (AFC)
    • 64-bit DDS
    • Oven Controlled Crystal Oscillator
  • clocking stability:
    • < ± 0.02 ppm, oven controlled @ 64.5 C / 148.1 F
  • clock aging:
    • 1 ppm per year
  • clock calibration:
    • < ± 0.001 ppm
  • samples rates:
    • 32, 44.1, 48, 88.2, 96, 176.4, 192 kHz
  • functioning temperature: 0-50 C / 32-122 F
  • weight: 6.8 kg
  • dimensions: 483 x 81 x 279 mm
  • included: 30 Overload plugins, Presonus Studio One Artist, USB cable, power cable, user manual, warranty card,
A review can no longer be written about this item

There are no reviews for this product yet.
Description Type Language Extension
Antelope Audio Goliath Handleiding Manual Unknown

Antelope Audio: Hardware Effects are Standard Issue

Wednesday 8 June 2016 By Lizanne

Antelope Audio, pioneers in clocking technology and high-end studio gear, offer impressive effects bundles with their products. We'd like to remind you just how impressive those bundles are. When you purchase Antelope Audio Orion Studio, Zen Tour or the flagship of audio interfaces, the Goliath, you'll get one heck of a software package included. While Antelope Audio aren't the only audio interface manufacturers on the market, what sets them apart from the rest is the fact that their effects are hardware-driven by a Field Programmable Gate Array, a.k.a FPGA, chip. This technology goes one step further than DSP.

Read more…

Antelope Audio Presents Three New Products: LiveClock, Zen Tour and Goliath

Monday 18 April 2016 By Lizanne

When it comes to the production of high-quality professional audio equipment, Antelope Audio is at the top of the heap. Discrete signal paths and other custom circuitry ensures the sound is always as detailed and pure as possible. This is especially true of the three new products by this top-notch brand, namely: the Zen Tour, Goliath and the LiveClock. It goes without saying, these three products are the crème de la crème of what's available on the market today.

Read more…

Alternative products by other brands

Search all products in category External Audio Interfaces
Compare your gear (1/10)