Roland M-300 M-300 V-Mixer
Roland
Discontinued
This product can no longer be ordered
Specifications
Product features
- 19 inches
- 19-inch rack mount (not included)
- Number of analogue input channels
- 9 - 16
- Number of analogue output channels
- 8
- Number of channels
- 17-32
- Number of microphone inputs
- 3 - 4
- Digital snake
- Yes, available separately
- Dynamics
- Compressor, gate
- Equalizer
- 4-band parametric, Master EQ
- Input
- Jack (6.3 mm), RCA, XLR
- Built-in audio interface
- USB (multi track)
- Built-in audio player
- USB
- Built-in effects
- Yes
- Insert connections
- No
- Input level meters
- LED VU meter
- Remote control
- No
- Connector position
- Back
- Type of display
- TFT, colour
- Expansion possibilities
- Digitale snake
- Output connector
- Jack (6.3 mm), XLR (3-pin)
- Mixer power
- Power cable
- Volume control
- Motorised faders
Weight and dimensions including packaging
- Weight
- 1,0 kg
Product specifications
- PA and studio mixer
- 32 mixing channels, L/C/R outputs, 8 aux buses, 4 matrix buses
- 4-band PEQ and dynamics on all channels
- 11 different, built-in multi effects/PEQ and delay on all outputs
- 24-bit AD/DA for a high-grade sound
- remote-controllable via a PC
- recording/playback via USB flash memory
- perfect integration with RSS digital snakes for simple and high-grade audio transmission
- create a flexible and powerful system with other REAC components
- number of channels: 32 mixing channels/11 buses/4 matrix buses
- up to 92 inputs and 90 outputs when using REAC equipment
- AD/DA conversion: 24-bit/48kHz or 44.1kHz
- console input jacks (1 to 4): XLR-3-31 type (balanced, phantom power)
- console input jacks (5 to 8): 6.35mm phone type (balanced)
- console input jacks (9 to 12): RCA pin type
- console output jacks (1 to 4) XLR-3-32 type (balanced)
- console output jacks (5 to 8): 6.35mm phone type (balanced)
- phones jack: stereo 6.35mm phone type
- digital out jack: optical type
- REAC port: RJ-45 EtherCon type x 2
- USB port: type A x 1, type B x 1
- remote connector 1: RS-232C connector (9-pin D-sub type)
- remote connector 2: MIDI connector (OUT/THRU, IN, 5-pin DIN type)
- other connectors: grounding terminal, AC input connector
- frequency response console output jacks (1 to 8): -2 dB/+0 dB (20 kOhm load, +4 dBu)
- frequency response phones jack: -3 dB/+0 dB (40 ohm load, 150 mW)
- THD+N console output jacks (1 to 8): 0.05% (typ., +4 dBu)
- THD+N phones jack: 0.05% (typ., 40 ohm load, 150 mw)
- dynamic range console output jacks (1 to 8): 105 dB (typ.)
- crosstalk @ 1 kHz console input jacks (1 to 4) -80 dB (pad on, +4 dBu, typ.)
- crosstalk @ 1 kHz console input jacks (5 to 12) -80 dB (+ 4 dBu, typ.)
- crosstalk @ 1 kHz console output jacks (1 to 8): -100 dB (typ.)
- nominal input level (variable) console input jacks (1 to 4) with pad off: -65 to -10 dBu
- nominal input level (variable) console input jacks (1 to 4) with pad on: -45 to +10 dBu
- nominal input level (variable) console input jacks (5 to 12): -28 to +4 dBu
- input impedance console input jacks (1 to 4): 14 kOhm
- input impedance console input jacks (5 to 12) 10 kOhm
- non clip maximum input level console input jacks (1 to 4) with pad off: +8 dBu
- non clip maximum input level console input jacks (1 to 4) with pad on: +28 dBu
- non clip maximum input level console input jacks (5 to 12): +22 dBu
- nominal output level console output jacks (1 to 8): +4 dBu (load impedance 10 kOhm)
- output impedance console output jacks (1 to 8): 600 ohm
- output impedance phones jack: 100 ohm
- recommended load impedance console output jacks (1 to 8): 10 kOhm or more
- recommended load impedance phones jack: 8 ohm or more
- non clip maximum output level console output jacks (1 to 8): +22 dBu (1 kHz, 10 kOhm load)
- non clip maximum output level phones jack: 150 mW + 150 mW (typ., 1 kHz, 40 ohm load)
- residual noise level (IHF-A, typ.): -88 dBu (all faders: Min)
- equivalent input noise level (E.I.N): -126 dBu
- E.I.N. measured with main fader at unity, channel faders at unity and only one channel
- E.I.N. measured at maximum preamp gain
- display: 800 x 480 characters, wide VGA TFT colour screen, backlit
- power consumption: 50 watt
- power supply: AC 115 V, 117 V, 220 V, 230 V, 240 V (50/60 Hz)
- dimensions: 470 x 195 x 483 mm
- weight: 9.8 kg
Network latency
- 2.8 mS (typ.) * 1
- total system latency from audio signal to S-1608 inputs and outputs
- via M-300 REAC ports (A or B)
- sample rate: 48 kHz
- no insert effects
No alternatives found
Specifications
Product features
- 19 inches
- 19-inch rack mount (not included)
- Number of analogue input channels
- 9 - 16
- Number of analogue output channels
- 8
- Number of channels
- 17-32
- Number of microphone inputs
- 3 - 4
- Digital snake
- Yes, available separately
- Dynamics
- Compressor, gate
- Equalizer
- 4-band parametric, Master EQ
- Input
- Jack (6.3 mm), RCA, XLR
- Built-in audio interface
- USB (multi track)
- Built-in audio player
- USB
- Built-in effects
- Yes
- Insert connections
- No
- Input level meters
- LED VU meter
- Remote control
- No
- Connector position
- Back
- Type of display
- TFT, colour
- Expansion possibilities
- Digitale snake
- Output connector
- Jack (6.3 mm), XLR (3-pin)
- Mixer power
- Power cable
- Volume control
- Motorised faders
Weight and dimensions including packaging
- Weight
- 1,0 kg
Product specifications
- PA and studio mixer
- 32 mixing channels, L/C/R outputs, 8 aux buses, 4 matrix buses
- 4-band PEQ and dynamics on all channels
- 11 different, built-in multi effects/PEQ and delay on all outputs
- 24-bit AD/DA for a high-grade sound
- remote-controllable via a PC
- recording/playback via USB flash memory
- perfect integration with RSS digital snakes for simple and high-grade audio transmission
- create a flexible and powerful system with other REAC components
- number of channels: 32 mixing channels/11 buses/4 matrix buses
- up to 92 inputs and 90 outputs when using REAC equipment
- AD/DA conversion: 24-bit/48kHz or 44.1kHz
- console input jacks (1 to 4): XLR-3-31 type (balanced, phantom power)
- console input jacks (5 to 8): 6.35mm phone type (balanced)
- console input jacks (9 to 12): RCA pin type
- console output jacks (1 to 4) XLR-3-32 type (balanced)
- console output jacks (5 to 8): 6.35mm phone type (balanced)
- phones jack: stereo 6.35mm phone type
- digital out jack: optical type
- REAC port: RJ-45 EtherCon type x 2
- USB port: type A x 1, type B x 1
- remote connector 1: RS-232C connector (9-pin D-sub type)
- remote connector 2: MIDI connector (OUT/THRU, IN, 5-pin DIN type)
- other connectors: grounding terminal, AC input connector
- frequency response console output jacks (1 to 8): -2 dB/+0 dB (20 kOhm load, +4 dBu)
- frequency response phones jack: -3 dB/+0 dB (40 ohm load, 150 mW)
- THD+N console output jacks (1 to 8): 0.05% (typ., +4 dBu)
- THD+N phones jack: 0.05% (typ., 40 ohm load, 150 mw)
- dynamic range console output jacks (1 to 8): 105 dB (typ.)
- crosstalk @ 1 kHz console input jacks (1 to 4) -80 dB (pad on, +4 dBu, typ.)
- crosstalk @ 1 kHz console input jacks (5 to 12) -80 dB (+ 4 dBu, typ.)
- crosstalk @ 1 kHz console output jacks (1 to 8): -100 dB (typ.)
- nominal input level (variable) console input jacks (1 to 4) with pad off: -65 to -10 dBu
- nominal input level (variable) console input jacks (1 to 4) with pad on: -45 to +10 dBu
- nominal input level (variable) console input jacks (5 to 12): -28 to +4 dBu
- input impedance console input jacks (1 to 4): 14 kOhm
- input impedance console input jacks (5 to 12) 10 kOhm
- non clip maximum input level console input jacks (1 to 4) with pad off: +8 dBu
- non clip maximum input level console input jacks (1 to 4) with pad on: +28 dBu
- non clip maximum input level console input jacks (5 to 12): +22 dBu
- nominal output level console output jacks (1 to 8): +4 dBu (load impedance 10 kOhm)
- output impedance console output jacks (1 to 8): 600 ohm
- output impedance phones jack: 100 ohm
- recommended load impedance console output jacks (1 to 8): 10 kOhm or more
- recommended load impedance phones jack: 8 ohm or more
- non clip maximum output level console output jacks (1 to 8): +22 dBu (1 kHz, 10 kOhm load)
- non clip maximum output level phones jack: 150 mW + 150 mW (typ., 1 kHz, 40 ohm load)
- residual noise level (IHF-A, typ.): -88 dBu (all faders: Min)
- equivalent input noise level (E.I.N): -126 dBu
- E.I.N. measured with main fader at unity, channel faders at unity and only one channel
- E.I.N. measured at maximum preamp gain
- display: 800 x 480 characters, wide VGA TFT colour screen, backlit
- power consumption: 50 watt
- power supply: AC 115 V, 117 V, 220 V, 230 V, 240 V (50/60 Hz)
- dimensions: 470 x 195 x 483 mm
- weight: 9.8 kg
Network latency
- 2.8 mS (typ.) * 1
- total system latency from audio signal to S-1608 inputs and outputs
- via M-300 REAC ports (A or B)
- sample rate: 48 kHz
- no insert effects
Product information
Product no: AU-RS05050
General
In 2007, Roland RSS introduced the modern V-Mixing system, which consists of several types of V-Mixer live mixing consoles and digital snakes. The Sonar REAC recording system for multi-channel recordings is a part of it as well. The V-Mixing system is renowned for its high-grade sound, powerful functions, expandability and user-friendliness. No wonder these consoles are often used for live applications, on tour and during productions, as well as in television and radio studios.
The M-300 V-Mixer: Unlike Any Other Mixer
The M-300 V-Mixer expands the number of possible V-Mixing system applications. It is equipped with a compact, mobile chassis that can be used in nearly any situation. The M-300 builds on the core V-Mixer feature set, offering the best possible performance at a breakthrough price.
Tips or comments about this product
- In the specifications, 0 dBu equals 0.775 Vrms.
- XLR wiring: 1 GND, 2 HOT, 3 COLD
- Phantom power supply equals DC +48 (unloaded maximum), 14 mA (maximum load) for all XLR inputs.
- When an S-4000D REAC splitter or switching hub is used in-line with REAC cables, the network latency is increased by the amount of processing delay that is caused by the splitting device itself.
Service promise
Bax Music Warranty This product comes with a 3-year warranty.
This product comes with a 3-year warranty.
Reviews
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