Mount the IGS Audio ONE LA opto compressor in your 500 rack and be amazed at the awesome tube sound! It's made with the best components and has a 4:1 compressor and a 100:1 limiter.
In an ideal world, we wouldn't even need EQ. But, since unicorns don't exist, we're glad that a high-quality 3-band parametric EQ like the DBX 530 does.
This DBX 580 allows you to excellently amplify the signal of your microphones. It is equipped with a two-band EQ, a variable low cut and an instrument input. Amplifies your signal with up to 60 dB!
What do you get if you take the SuperAnalogue channel of the SSL SiX and stuff it into a 500 Series module? That's right, the straight-up yet uber-powerful SiX CH channel-strip!
The legendary sonic character of the much-sought-after SSL 4000E console from the '80s has been neatly packed up inside this single 500 Series compressor/limiter and expander/gate module.
Ripped from the EQ-section of the Fusion; neatly packed up inside a tight 500 module; and kitted out with two fully parametric SSL mid-band EQs, this is the SSL Ultraviolet stereo equalizer.
Over the course of more than 40 years, the SSL Stereo Bus Compressor has attained legendary status and a permanent spot in practically any serious studio - and for good reason. This intuitive compressor simply makes mixes sound massive.
The iconic sound of the '80s neatly packed up in a single 500 Series module: the Solid State Logic EQ 500 is basically the equalizer section of the SL 4000 E console channel strip that helped shaped countless classic albums from way back when.
Based on the preamp-technology found in the SSL Duality console, the breathtaking flexibility of the Solid State Logic VHD+ preamp is now available in a tight 500 modular format.
Ripped out of the SSL 4000 B console, the SSL 4K B Dynamics 500 compressor/gate/expander module delivers richer and more colourful sonic character than the ultra-clean E-Dyn module, and does it all from a 500 Series rack compatible box.
The Harrison D510mx is a handy summing mixer module for the D510r 500-series enclosure. It allows you to mix slots 1 to 8 in stereo.
The API Audio 550B is a discrete equalizer based on the original 550 from the late sixties, but now with 4 overlapping bands and new frequencies. The 550B makes EQing musical.
API is a renowned manufacturer of high-end preamps and related products. With the introduction of the 512v, they now offer an excellent microphone/instrument preamp in lunchbox-style.
Add the Meris 500S 440 MIC PRE module to your 500 series rack and gain immediate access to the pure American 'console tone' that can be heard on countless popular records from the 1970s.
API 525 discrete compressor/limiter equipped with de-essing and 2510 and 2520 Op-Amps.
The Black Lion Audio Seventeen 500 is a '76-style compressor that keeps up with the times and lets you subtly work in that legendary FET-based sound thanks to a built-in side-chain filter and mix control.
API 212L microphone preamplifier L200 format with stepless gain control. Frequency range: 30 Hz - 20 kHz.
API 205L direct input L200 format with Hi-Z instrument input on front. Frequency range: 30 Hz - 20 kHz.
API 215L passive low-pass 6 dB per octave and high-pass 12 dB per octave sweep filter with 2510 and 2520 op-amps.
API 225L Compressor with OLD/NEW compression model and 2510 and 2520 op-amps.
API 235L discrete noise gate with expander function and equipped with 2510 and 2520 op-amps.
The 529 stereo compressor by API gives you the sound of the renowned 2500 compressor in the size of a Lunchbox. It has everything that make API compressors so unique, including Op Amps and Thrust functionality.
The Empirical Labs DocDerr has three circuits on board: a four-band eq, a compressor and a tape saturator. And all in a 500 series module. This is the vertical version.
Vocals only benefit from clear and clean sound, which will often boost harder 'S', 'P', and 'B' sounds in all the wrong placed. The DBX 520 is designed to suppress those harsh peaks while leaving a squeaky clean signal.
The DBX 560A puts insanely flexible compression directly in your rack. The design has been directly based on the classic, character filled DBX 160A to shape the same razor sharp audio.
Packed with passive electronics, the Lindell Audio 6X-500 is a Pultec-style EQ designed for 500 Series chassis. The module features a low-shelving filter, a high-shelving filter, +48V phantom power and a useful polarity switch.
In terms of function, the Lindell Audio 6X-500VIN looks much like the 6X-500, but besides the paint-job, the difference lies in the Vintage 1731 amp able to season the output of this equaliser with fully matured flavour.
While it looks a lot like the mono 7X-500, the Lindell Audio 77X-500 is a stereo studio problem-solver able to take on mixbuses as well as a set of drum overheads.
Now you can also get the Lindell Audio PEX-500 in PEX-500VIN form complete with the vintage, Pultec-style flavour of an OPA1731 amplifier.
Small as it may be, the Golden Age Audio Pre-573 Premier shapes that big, warm and old-school sound. This premium preamp is compatible with 500 Series racks and features a filter and Air EQ function.
Golden Age Audio COMP-554 MK2 is a diode bridge compressor that gives you a lot of control over the dynamics of your voice or instrument. Wonderful on vocals, bass and guitar. Based on the famous 2254 compressor from the 1960s.
The Black Lion Audio Bluey 500 limiter/compressor is an ultra-accurate reproduction of the original 'Bluey' that was raised to legendary status by Chris Lord-Alge's heavy modifications.
The 312 microphone preamp was first introduced in the 1970s and definitely put the API sound on the map. You can now screw this classic design by API founder Saul Walker into your own series 500 lunchbox.
