API is a renowned manufacturer of high-end preamps and related products. With the introduction of the 512v, they now offer an excellent microphone/instrument preamp in lunchbox-style.
Mount the IGS Audio ONE LA opto compressor in your 500 rack and be amazed at the awesome tube sound! It's made with the best components and has a 4:1 compressor and a 100:1 limiter.
The IGS Audio Alter 500 FET compressor is a 500-series module inspired by the legendary UREI 1176. This compact compressor is packed with useful features.
The API Audio 550B is a discrete equalizer based on the original 550 from the late sixties, but now with 4 overlapping bands and new frequencies. The 550B makes EQing musical.
API 525 discrete compressor/limiter equipped with de-essing and 2510 and 2520 Op-Amps.
IGS Audio's NE573 is a microphone preamplifier based on a certain classic model, but in 500-series format. On the front panel is an XLR/Jack combination socket.
IGS Audio's iQ505 is the all-rounder among analogue equalisers. Despite this, it takes up only a single slot in your 500-series cabinet.
The IGS Audio Tubecore 500 is a 500-series tube compressor module. The vacuum tubes and transformers in the input and output provide a pleasant sound.
The IGS Audio A-Type 525 is a 500-series compressor module. With its unique 'Compress' knob, you can adjust both the Gain and Threshold values in no time.
The IGS Audio 573EQ is a 500-series equaliser module inspired by the legendary Neve 1073. The characteristic sound, with its warm analogue timbre is now available in a compact 500-series module.
IGS Audio's 572 Red Stripe is a 500-series preamp for microphones or instruments that runs entirely on tubes. As a result, when you overdrive it a little, you get a wonderfully warm, analogue saturation.
The BISON 500 from IGS Audio is a powerful tool for analogue mixing in stereo. When you connect two mono compressors or a stereo compressor, you can apply mid/side and parallel compression.
The IGS Audio EQM500 is a compact problem solver in the world of analogue equalisers. It can be mounted in a 500-series rack cabinet.
The Photon 500 from IGS Audio is an analogue optical compressor in 500-series format. It is based on the legendary optical compressor technology from the 1960s.
The IGS Audio Rubber Bands is an analogue equaliser in tiny size: just a single slot in a 500-series cabinet. With controls based on the legendary Pultec equalisers.
IGS Audio's Vanad 500 is a preamp that can be used for microphones as much as instruments. 'Re-amping' of previously recorded tracks is also possible.
The API Audio 560 10 Band Graphic EQ is a modern classic that helps you through those more difficult EQ tasks. Lots of headroom and a warm analogue sound and fitted with the 2520 Op Amp for that legendary API sound.
The API Audio 500-DI is a modular direct input to create a secure signal for any recording situation. It has a gain and tone control and a 20dB Pad switch. Equipped with a Hi-Z input on the front.
The Heritage Audio 73EQJR offers three-band equalisation (high-shelf, low-shelf and mid band) for the 500 Series. The '73 takes direct influence from the renowned 1073 EQ by Neve.
API 565 Filter Bank in lunchbox format equipped with low-pass, high-pass and notch sweep filter. Uses 2520 and 2510 op-amps.
While the original 73JR is already a truly impressive piece of gear, Heritage Audio take things even further with the upgraded version of this 73-style preamp in a 500 Series module housing. Meet the 73JRII.
The Heritage Audio BT-500 v2.0 Bluetooth Receiver adds wireless connectivity to your 500 Series rack, giving you the option to stream high-quality audio directly from the comfort of your phone. Perfect for checking out reference tracks on Spotify or YouTube.
True studio aficionados are sure to appreciate the IGS Audio 576 Blue Stripe FET compressor. It's a 500 module with super-fast attack that make your vocals sound richer than ever!
Powerful 500 series mic/line preamp with EQ, discrete opamps and Lundahl transformers for professional studio sound.
Classic, musical equaliser in 500 series format with Low, High and Presence EQ bands.
Powerful 500 series phono module with two switchable discrete phono stages and extra gain option for demanding vinyl enthusiasts.
Adapter for placing 100 Series modules in a 500 Series rack; suitable for up to 22HP of 100 modules.
Powerful stereo dynamic filter module for the Rodec MX Modular console, ideal for creative studio and live applications.
The 312 microphone preamp was first introduced in the 1970s and definitely put the API sound on the map. You can now screw this classic design by API founder Saul Walker into your own series 500 lunchbox.
To really fatten up the low-end of your mix, you need the DBX 510 Subharmonic Synth. Compatible with 500 Series racks, this unit fleshes out your set-up and will happily boost individual channels or the total mix as needed.
In an ideal world, we wouldn't even need EQ. But, since unicorns don't exist, we're glad that a high-quality 3-band parametric EQ like the DBX 530 does.
This DBX 580 allows you to excellently amplify the signal of your microphones. It is equipped with a two-band EQ, a variable low cut and an instrument input. Amplifies your signal with up to 60 dB!
Ripped from the EQ-section of the Fusion; neatly packed up inside a tight 500 module; and kitted out with two fully parametric SSL mid-band EQs, this is the SSL Ultraviolet stereo equalizer.
What do you get if you take the SuperAnalogue channel of the SSL SiX and stuff it into a 500 Series module? That's right, the straight-up yet uber-powerful SiX CH channel-strip!
The MR3eq is a compact 500-series module that offers a powerful parametric equaliser based on the electronics from Harrison's legendary 1981 Music Recording 3 console.
The Harrison D510mx is a handy summing mixer module for the D510r 500-series enclosure. It allows you to mix slots 1 to 8 in stereo.
Small as it may be, the Golden Age Audio Pre-573 Premier shapes that big, warm and old-school sound. This premium preamp is compatible with 500 Series racks and features a filter and Air EQ function.
Add the Meris 500S 440 MIC PRE module to your 500 series rack and gain immediate access to the pure American 'console tone' that can be heard on countless popular records from the 1970s.
While it looks a lot like the mono 7X-500, the Lindell Audio 77X-500 is a stereo studio problem-solver able to take on mixbuses as well as a set of drum overheads.
The API Audio 550A is a reference EQ with the famed Proportional Q and is part of the API-500 lunchbox system. This is a parametric EQ with 3 overlapping bands and each of the frequencies can be tweaked plus or minus 12dB.
API 212L microphone preamplifier L200 format with stepless gain control. Frequency range: 30 Hz - 20 kHz.
In terms of function, the Lindell Audio 6X-500VIN looks much like the 6X-500, but besides the paint-job, the difference lies in the Vintage 1731 amp able to season the output of this equaliser with fully matured flavour.
The Lindell Audio 7X-500 very simply sets up your 500 rack with FET compression inspired by the classic 1176. Give your audio that rich and warm '60s style treatment.
The Lindell Audio 7X-500VIN is a truly stunning FET compressor built for engineers that know exactly what they need. This unit is easy to tweak, delivers breathtaking results, and comes in a neat 500-module.
Now you can also get the Lindell Audio PEX-500 in PEX-500VIN form complete with the vintage, Pultec-style flavour of an OPA1731 amplifier.
Over the course of more than 40 years, the SSL Stereo Bus Compressor has attained legendary status and a permanent spot in practically any serious studio - and for good reason. This intuitive compressor simply makes mixes sound massive.
The iconic sound of the '80s neatly packed up in a single 500 Series module: the Solid State Logic EQ 500 is basically the equalizer section of the SL 4000 E console channel strip that helped shaped countless classic albums from way back when.
The legendary sonic character of the much-sought-after SSL 4000E console from the '80s has been neatly packed up inside this single 500 Series compressor/limiter and expander/gate module.
